30 Inches of Punk Rock Part 1 (3x10” Vinyl)

12-07-2024: Originally these three 10” records were posted separately on the same day back in 2015. While updating the entries from my original blogspot I thought I’d make much more sense to combine them into one entry and call it 30 Inches of Punk Rock, something I shall continue in the future.

V/A - Rough Mixes From Switzerland Ten Inch

Label: Konnekschen Records; Year: 1981; Format: Shaped Vinyl 10"

The older crowd amongst the readers of this blog will be in the know that Switzerland had a very active and interesting punk scene in the late ‘70s despite being a country in the middle of Europe surrounded by mountains and not much to do, but maybe that sheer boredom enforced everything even more. Zurich’s Nasal Boys really got the ball rolling in 1977 by releasing a fabulous single that many punk rock scum collectors would love to have the original of. In 1981 even the good ole’ Germans caught on that their southern neighbors were not just yodelers and fond of chocolate and cheese, but could deliver some pretty hefty punk rock tunes too. Konnekschen Records from the northern city of Hamburg released this wonderful piece of wax collecting three swiss punk records originally released in 1979 on one nice shaped and colored 10”. If you don’t want to shell out big bucks for the Sick/Chaos Split 12”, the Sperma 12” and Rudolph Dietrich’s BOF’s 7” then do yourself a favor, and pick this one up as you will not be sorry. If there is a winner amongst the three, then it is the Sick/Chaos split that would be my pick. In all fairness to the Austrians it should be noted that Chaos were actually an Austrian band from a border town near Switzerland but very active on the swiss scene at the time. If you like your ’77 punk upbeat with lots of hooks and choruses then you won’t be disappointed. Second in my book is Rudolph Dietrich with his BOFs 7”, a punk rock gem with saxophone in the background and intelligent song writing. Sperma’s 12” might be a very sought after record but at least in my opinion it is not one of the top swiss punk records at all, but still a decent record. For folks out there unfamiliar with early swiss punk rock this is a nice way to start your collection.

This song was originally released on the 7” in ‘79. The version in this video is from ‘81 with Rudolph Dietrich’s band Mutterfreuden.

Label: Incognito Records; Year: 1995; Format: Vinyl 10"

There are truly not that many original punk rockers still touring the world, year in and year out. Sonny Vincent is one of the rare human species that is not only still doing that, but is still rather damn good at it too to this day. Back in 1975 Sonny formed the Testors in NYC with a guitar in his hand and lots of anger in his stomach. The band named itself after the Testors glue company, which would eventually get them into legal trouble, and set out to provoke the audience, sonically and physically. They did that with two guitarists, a drummer, and no bass player, and that seemed to work fine at venues like the CBGB’s or Max Kansas City but at one point Sonny got himself even arrested in Philadelphia for inciting a riot. The band never had any ambitions to record so thank god Incognito Records from Germany unearthed the recordings of this wild bunch that created some damn fine noise all these years back. Four studio songs, and two live songs are to be found on this 10”, and they not just kick ass, but are delivered with such furiousness and aggressiveness that many hardcore punk bands years later must have taken note of. The liner notes were penned by Cheetah Chrome and a second volume with more madness from this trio was also released on 10”, and will be reviewed in the not so distant future.

Original painting used for the Incognito Records 10”

Label: Fan Club; Year: 200?; Format: Vinyl 10"

In August 1976 the Ramones played for the first time in Los Angeles, and two of those shows took place at the Starwood in West Hollywood – a club that would be instrumental in forging many musicians’ careers in the years to come. Many moons later some bootlegger has managed to get their greedy hands on decent sounding recordings of the show from August 16 of said year, and a bootleg 10” was born by the name of L.A. Explosion. Make what you want of bootleggers but I for one am grateful for this piece of wax as it delivers twelve tracks of the Ramones in their early days yet sounding like a well-oiled machine already. The probability of these recordings to have ever appeared somewhere legitimately has always been very slim, and in this day and age with all four of the original members unfortunately no longer with us it is simply out of question. Rest assured that when putting down the needle on this little treasure you will not only feel like you are traveling back in time by nearly forty years to a period in time when the term punk wasn’t even coined, and Los Angeles was waking up from an overdose of English disco and glam rock but that you feel like you are actually witnessing a time when kids couldn't wait any longer for something new to kick off, and the Ramones had all the answers for them. We all know that it wasn't just LA that needed a proper kick up its arse, and that these four New Yorkers really got the ball rolling for which we ought to be grateful to this day.